Saturday 16 April 2016

The power of a picture. By Marjolaine DE SURY


The photo is framed in close-up on the two people; we don’t see the other police officers, the photographers or the other bodies. The sea and the beach that seem so calm contrast with the horror of the scene. The child seems so small next to the sea and the man; he is innocent and powerless. He’s not sleeping; his face turned to the ground tells us he’s dead…

The next day, this photograph was on the front page of every European newspaper. This picture has given rise to a debate among the press: should we show the picture to the world? Isn’t it too shocking? Most of the newspapers chose either the picture of the boy on the ground or the picture in which the coastguard is holding little Aylan. They thought the second picture more acceptable according to the criteria of the press because it shows human intervention, the authorities fulfilling their role. The Independent took the decision to publish both these images to show the desperate situation of the refugees.

On Thursday, François Hollande and Angela Merkel reached an agreement about the quotas of migrants in the European nation. In the next days, lots of European countries chose to help the migrants. David Cameron said that the UK is ready to welcome a thousand more Syrian refugees and to give £100 million to help cope with the humanitarian crisis in Syria. In Germany, the people have welcomed the migrants. But a few months later, faced with the increasing number of refugees, they closed the borders, and policies concerning migrants have gotten harder.

8 months later, what has changed? Nothing; migrants continue to arrive in small boats, in the dangerous waters, people continue to drown. As the historian Thomas Snegaroff said: “There are many images that have marked history. There are few who have changed it.”

Links:

http://www.lemonde.fr/les-decodeurs/article/2015/09/04/sur-le-web-images-manipulees-et-rumeurs-pour-casser-l-elan-de-solidarite-envers-les-refugies_4746189_4355770.html

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